Michael Madhusudan Dutt

Michael Madhusudan Dutt

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Michael Madhusudan Dutt

Michael Madhusudan Dutt
Born 25 January 1824
Sagardari, Jessore, British India (present day Bangladesh)

Death June: 29, 1873 (49 years) [1]
Calcutta, British India (presently in West Bengal)

Pseudonym Timothy Panepoem
Career poet, playwright

Subject literature

Literary movement Bengal Renaissance

Bridegroom Rebecca Mactavis
Henrieta Sophia White
Child Napoleon
Sharmistha
Mohakobi Michael Madhusudan Dutta (25 January 1824 - 29 June, 1873) is one of the best Bengali poets and playwright of the nineteenth century. [2] He is regarded as one of the most respected personality of Bengal Renaissance literature.
Born in a respectable Kayastha tribe of Jessore district of British India, Madhusudan accepted Christianity and took the name of Michael Madhusudan and concentrated on writing literature in English in the light of Western literature. Madhusudan is attracted to his mother language in the second half of life. At this time he started playing drama, drama, comedy, and poetry in Bengal.
Michael Madhusudan launches Sonnet and Amitrakshara Chhand in Bangla Meghnadbadh Kabhi, epitomized on the legend of Ramayana in his greatest work Amitithakshara rhythm His other notable books are The Captive Lady, Sharmistha, Krishnakumari (Drama), Padmavati (drama), Chorus on the neck of old shalik, what is called civilization, Tilottamamabhava poetry, Birangana poetry, Brajangana poetry, Fourteen poems, Hectar kill [3] etc. Michael's personal life was dramatic and painful. This epic died in Calcutta just 49 years of age.



Categories
• 1 life
• 2 years of education
• 3 years of career
• 4 weddings
• 5th in France
6 Literary life
o 6.1 Literary inspiration of life
o 6.2 Language skills
o 6.3 drama
 6.3.1 Sharmistha
 6.3.2 So what is the silence of the civilization and the old man
 6.3.3 Padmavati
 6.3.4 Macacon
• Meghnadabad poetry
• 8 Birangana poems
o 8.1 Bridal life
• 9 deaths
• 10 Literary works
o 10.1 Poetry
o 10.10 drama
10.2.1 Proof

Life
Madhusudan Dutta was born in a respected Hindu Kayastha family of Sagardari village in Jessore district of present-day Bangladesh (Keshabpur upazila of Jessore district of present day Bangladesh state) on January 25, 1824. He was the only child of Rajnarayan Dutt and his first wife Jahnavi Devi. Rajnarayan Datta was a renowned lawyer of the sadar civil court of Calcutta. When Madhusudan was thirteen years old, he had to live in Calcutta. He built a large building in Khidirpur Circular Garden Rich Road (now Karl Marx Sarani).
Academic career
Madhusudan's primary education is to his mother Jahnavi Devi. Jahnabi Devi recognized her with Ramayana, Mahabharata, Purana and others. His primary education began with Imam Mufti Lutful Haque of Sheikhpura Mosque, a village near the seashore. He studied Bangla, Persian and Arabic for the scholar Imam. Madhusudan's childhood is spent in Sagarddi.

Michael Madhusudan Dutta's birthplace, Sagardari, Jessore, Bangladesh
Madhusudan came to Calcutta at the age of thirteen. After reading a few days in a local school, he was admitted to the Hindu College (now Presidency University). Madhusudan was a meritorious student. So soon the Principal of the College Captain D. L. Become Richardson's favorite student. Richardson inspired poetry in Madhusudan's mind. He was inspired by the memories of Swadesanagar, a former Hindu Degree of the Hindu College. Besides, his classmates in the college were prominent members of the nineteenth century such as Bhudev Mukhopadhyay, Rajnarayan Basu, Gauradas Basak, Paricharan Sarkar etc. At the age of eighteen, his ambition to become a winner and to become a loser became deeply in his mind.
In 1843, Rev. Krishnamohan Bandyopadhyay expressed his desire to adopt Madhusudan Christianity. Then in the same year, on February 13, he went to church in the Anglican Church, the Old Mission Church, and took Christianity. He devoted him to Padri Deoltree. He named him "Michael". Madhusudan is known as "Michael Madhusudan Dutta". His conversions created a great stir in the society. Rajnarayan Dutta declared his infid son. Madhusudan continued his studies from Bishops College, Shibpur after receiving Christianity. Here he learn languages like Greek, Latin, Sanskrit etc. Although Rajnarayan Dutt was relinquished by him, he was carrying the expenses of studying in Bishops College. Four years later he stopped sending money. Madhusudan was friends with some Madras students in Bishops College. After finishing his studies in Bishops College, Madhusudan failed to get his job done in Kolkata. He went to Madras (now Chennai) in partnership with his Madras friends, Madhusudan It is said that he had gone to Madras in the money by selling his own textbook without knowing the relatives.
Career
Madhusudan could not make special privileges in Madras too. With the help of local Christian and English, he got an English teacher's job in a school. However, the pay would not have cost him money. This time he started writing in English newspapers. His poetry was published in the pseudonym of Madras Chronicle. He also edited a newspaper called Hindu Chronicle. But in a short span of time the newspaper has to be closed. At the age of twenty-five, he wrote the first poem of The Capitol Lady in distressed poverty. His reputation spread as a poet and proficient English writer.
Marriage
Shortly after coming to Madras, Madhusudan married an English couple named Rebecca Mactivis. The marriage of both of them lasted for eight years. Rebecca has two sons and two daughters born Madhusudan. Shortly after the marriage ended with the marriage of Rebecca in Madras, Madhusudan Emilia married a French girl named Nirita Sophia. Anareeta was a spouse of Madhusudan's life. Meanwhile Michael sent a copy of his copy to the captive lady friend Gauradas Basak, Gauradas sent it to GE Bethune as a gift. After reading the book, Bethune was overwhelmed by writing letters to Michael and asked to return to the country and perform poetry in Bangla. In 1856, Madhusudan returned to Calcutta. At that time he did not bring the spouse.

 France

The poet lived in a street on this street

12 Rue Des Chantiers, Versailles, France - The poet who lived in the building
The poet went to England to study law, but due to weather and racism, he did not live in England for long. Then he went to Versailles in France in 1860. But his financial condition was very bad. For the only God Chandra Vidyasagar, he was able to come to India after finishing his studies. But he never used his education in Calcutta, but died for poverty.
Literary life
Madhusudan Dutta is the first playback singer of Bengali literature. While translating English drama 'Ratnabali' by Ramnarayan Tarkaratna, he felt a lack of appropriate play in Bengali drama literature. With the aim of fulfilling this lack, he was interested in writing plays. In 1859, he composed the 'Sharmistha' play. This is the first original drama written in Bengali. In 1860, he wrote two revelations, namely: 'What is the civilization,' and 'the rug of the old man' and the full 'Padmavati' plays. He used the first non-rhythm rhythm in Padmavati play. In 1860, he wrote the book 'Tilottam Shakav' in Amitrakshara. Then it was composed by 'Meghnad Bid Kabhi' (1861), the epic 'Brajangna' (1861), 'Krishnakumari' drama (1861), 'Biranganga' (1862), fourteenth verse poetry (1866).
Literary inspiration of life
Madhusudan Dutt was highly inspired by his literary career, especially by English poet Lord Byron's literary work and his life. Though his great creation was published in the epic poem of Meghnaad, it was not very easy even though acquiring it, he himself expressed his uniqueness in Bangla literature through epic. As part of that, he introduced the first homeric style of poetry. He once said to himself: "I did not get myself successful in the morning, and the success of this verse was possible only through hard work of many years."
Linguistic skills
Michael Madhusudan Datta was one of the many linguists. In his childhood, learning about his language from the village toll of his Persian language began. He could speak fluently in English, Latin, Greek, Persian, Hebrew, Telugu, Tamil etc. apart from English. He could even write poetry in Persian and Italian languages. Apart from his mother tongue he knew more than twelve languages.
Drama
Michael Madhusudan's appearance in Bengali drama is sudden In 1852 Taratan Shikder, J. C. Drama stabilization was started at the festive stage in Bengal by the hand of Guptar and Ramnarayan Tarkaratna. This time the quality of written plays was not very good. Ramnarayan Tarkaratna's Ratnabali play was played in Belgaashhya Natyamancha in Kolkata with the patronization of Paikpara Zamindar Ishwar Chandra Singh and Pratap Chandra Singha in 1858. Madhusudan's educated mind became shocked by the huge funding and enthusiasm of zamindars for this non-industrialized drama. Then he himself became a playwright in drama. After breaking the tradition of Ramnarayan Tarkaratna's Sanskrit drama, he wrote the first modern Bengali drama following the western style.
Michael Madhusudan's theater of drama and the number of the plays are limited to two. From 1859 to 1861 - he did dramatics for three years. At this time his plays are: Sharmistha (1859), what is called civilization (1860), ropes (1860), Padmavati (1860), Krishnakumari (1861), on the neck of old shalik. Apart from this, an unfinished drama named Maikanan (1874) before the death.

Sharmistha
Sharmashta is a mythological drama. Composition 1859 This is the first Bengali play written in modern western style. The narrative narrative of the drama is derived from the story of the trilogy of Raja Yajati, Sharmistha and Devyani, described in the beginning of the Mahabharata. Although written in Western theater, Michael did not completely abandon the Sanskrit style in this play. The dramatic poetry and ornamentation of this play is very similar to the Sanskrit style, the use of the narrative style of the story, the entry, the knot, the bitter, etc. Again the romantic trend of English literature is also evident in this play. This play is highly appreciated in the English-educated readership of the era, although there is an error in the first composition. The play is also successfully performed at Belgaashia Rangamancha.
What is the name of the civilization and the rug of the old man?
In 1860, after Michael's return, Michael composed what he called civilization and old folklore with two fights. These two of his fame have two best plays. The first drama was the rhetoric of the English-educated Neo-Babu community and the second was the decline of moral character of the traditional socialists. In this play, the skill of Michael's observation power, social primes and stories, characters and dialogues is very much appreciated. But the content of the drama made both the new and the contemporary elements shaken. So the play was supposed to be performed in Belgahera Rangamanch, but it was not until the end. In this, Michael was very disappointed and later withdrew himself from the writings of Prasen.
Padmavati
In 1860 Madhusudan composed the play Padmabati. This is mythological drama. But the foundation of this play is not entirely Indian mythology. Madhusudan presented the story of 'Apple of discord' in Greek mythology on Indian mythology. In the Greek mythology, Juno, Paulas and Venus have been playing in this play. Helen and Paris were Padmavati and Indranil. When Ratati was chosen as the best beauty of the three gods, the other two goddess became enraged against Indraniel and brought down the disasters in Indranil's life. At the end, Indraniel was rescued by Rati and Bhagbati's efforts, and they met with Padmabati, the wife of the queen. While the original Greek episode is tragic, Michael has made this drama in English tragedy-comedy format. The influence of Sanskrit drama in this play is very little. Plot-making, dramatic contrasts representation and character illustrations have made Michael the previous one.
Mayakanon
After composing Krishnakumari drama, Michael fondly focused on poetry. At the request of Sharatch Chandra Ghosh, the Bengal theater leader, lying on death bed in the last days, he handed the book to the Mayakanan drama. He could not finish the play. Did Bhuvan Chandra Mukhopadhyay. This play is not worth the art price. There is no signature of Michael's creation.
Meghnadabad poetry
Main articles: Meghnadabad poetry and epic
The great epitome of Madhusudan Dutt is that the epic named Meghnadbadh Kabhi, based on the epic Ramayana in Amitrakshara rhythm The characters are: Ravana, Indrajit, Sita, Sarma, Pramila and others. He divided his poetry into an epic poem, and according to Sanskrit rhetoric, it also organized a gathering of cities, forests, wetlands, rock, sea, morning, evening, war, ministry etc. But in the sense he did not use new rhythm, he did not reveal the next serpent in the collection. Although he said,
Gaib Ma Biresh Vasi Mahagata
Still, the poisonous rock has won. Meghnadbadh Kavya is not a repetition of the Ramayana-acclaimed story - it is the reflection of the revival of Bengalis, the apocalyptic poem in the form of the epic epic of the new-minded newbornism. Meghnadbadh poetry is the only creation of Bengali poetry literature in this direction.
Madhusudan has created amazingly well-written poetry in the form of construction and skill. The significance of this verse is the symbol of Ravana-Charitra. Absolutely arrogantness did not become manifest in the form of his creation Ravana. The epic that Ramayana has written in his light of humanity, is actually a romantic epic. For this reason, 'Meghnadbadh Kavya' is epic in the form, but its soul-nandini is completely romantic and Madhusudan is the hero of life, but it is not of heroes, but of heroes. According to poet Rabindranath,
Sagittarius crematorium has concluded the poem.

Birangana poetry
In the Bengali literature, the poetry of poetry is first seen in the poetry of Birangana. In 1862 the book was written and published. Shankuntala to Dushmant, Rookman towards Dwaraknatha, Kukyi to Dwarkanatha, Diwali towards Laksman, Draupadi to Arjuna, Bhanumati to Duryodhana, Adoration of Jodratha, Junk to Shantanu, Urvashi to Nirvadhi, Niladabajja to these days - The poem with these 11 pamphlets Written Madhusudan has hit the roots of these women in his poetry. In the light of human sentiment, he has conveyed the feminine heart. [5]
Bridal life
The special work that a poet did more than get established in Madras, is to marry a white woman. During his stay in Madras, he married an English couple named Rebecca Mactavish. As soon as Arphan started teaching at Aslam school, she was introduced to her future wife Rebekar. This process of marriage was not very easy. His friend Gauri Das wrote "It was very difficult to get Rebecca", knowing that she (Rebecca) was against all well wisher marriage "" Their marriage was executed on 31 July 1848. Taking the job abroad, getting married, then marrying this foreigner, all this happened within six months of reaching Madras. But their married life did not last long. He thought he would be happy to take Rebecca's life after marriage. But the goddess of happiness may not have written on her forehead. There was a lot of noise, noise in the world. Due to the stubbornness of Michael, there was a discrepancy between his wife. As a result, he abandoned his relationship with Rebeccers within a few years. Rebecca has two sons and two daughters born Madhusudan.
Shortly after the marriage ended with the marriage of Rebecca in Madras, Madhusudan Madras married a French girl named Henrieta Sophia, daughter of a teacher of Madras Presidency College. Henrietta was also the most well-liked girl. Henrietta was the wife of Madhusudan's wife. They have a son named Napoleon and a girl named Sharmistha. One of his descendants is the famous tennis player Leander Paes.

Death

Michael Madhusudan Dutt's cemetery, Calcutta
Madhusudan's last life has passed through extreme grief and poverty. He could not achieve success in law business. Besides, he also became indebted for the extravagant attitude. He died on 2 June 1873 in Alipore General Hospital, in an unprotected (financially) way. In the last phase of his life, Mohakabi left his sign of love for the birthplace in the unforgettable line. The following poems are written in his grave:
'Wait a traveler, if you are born
Banga! Strong moment! At the place of the grave
(The child has a baby boy on the lap of his mother
Pause) Mahir Padak
Srimadasudanera the poet!
In Jessore, Sagardhari Kobadak-shore
Motherland, Birthdata Datta Greatness
In the name of Rajnarayan,
[Edit] Literature
Poetry
• Meghnadabad poetry
• Tilottam is possible
• The Captive Lady
• Brajangana poetry
• Birangana Poetry
Drama 
• Shriftha
• Krishnakumari
• Padmavati
Farce
• Throat rash
• Is it called civilization